Two plays showcasing the work of young, emerging Cape Town theatre-makers Lwanda Sindaphi and Nwabisa Plaatjie, will be staged at the Baxter Theatre Centre from the end of February. Sindaphi’s futuristic drama, Kudu, opens at the Baxter Flipside on 27 February. From 13 March, Plaatjie, recently nominated for a Fleur du Cap for Best New Director, will bring 23 Years, A Month and 7 Days, a moving work of physical theatre and storytelling.
Kudu and 23 Years were written in 2016, when the artists were part of a Theatre-making Internship at Magnet Theatre. Alongside trainee actors from Magnet’s Full-time Training and Job Creation Programme and under the mentorship of seasoned theatre-makers, educators and Magnet directors, Mark Fleishman and Jennie Reznek, Sindaphi and Plaatjie excelled.
Kudu
Sindaphi is a founder member of the Lingua Franca Spoken Word Movement, based in Delft, and has been listed as Badilisha’s Top Ten Poets in Africa. He trained at New Africa Theatre Academy and Magnet and turned to directing early on in his career, winning Best Director at the Baxter’s 2013 Zabalaza Theatre Festival. “The Magnet programme provided us with the opportunity to work freely, without the restraints of financial difficulties, and in a nurturing environment,” he says. “One could answer to and explore one’s true creative dreams and impulses, rather than to settle for water-downed versions.”
Kudu is set in the year 2030. The Eastern Cape is ruled by the AmaXhosa nation when three Khoi descendants and their aging cow migrate to the area. Having heard stories of the killing of Khoi chief Ndoda in a land dispute in earlier times, they step up to reclaim what they believe to be theirs. “Kudu is about people fighting to be acknowledged while present and not as extinct. It is about reclaiming land and language, customs and culture, and spirituality,” says Sindaphi.
23 Years, A Month and 7 Days
Nwabisa Plaatjie, recipient of Theatre Arts Admin Collective’s Emerging Theatre Director’s Bursary as well as the first recipient of Baxter Theatre’s PlayLab residency program, is now also a Fleur du Cap nominee, for Best New Director, 2017. She graduated from the University of Cape Town with a BA honours degree in Theatre and Performance in 2015, the year during which the student protests flared up across South Africa. 23 Years, her first play as “a professional” was also her response to these protests.
Performed in English, Afrikaans and isiXhosa, 23 Years uses storytelling and physical theatre to engage with the complex struggles faced by womxn who find themselves in social and political environments that are systemically violent. It is set against the 2015 student uprisings, between South Africa’s higher learning institutions and Potter’s Field, a poverty stricken area. A young womxn of humble upbringing, Nontyatyambo, needs to redefine her position in society when she finds her identity in conflict with her environment.
“I was dealing with themes of migration, but I did not want to enforce and limit myself to the stereotype of the ‘poor black’ from the rural area who goes to the city. I created Potters Field as a place that reflects the struggles that are also present in places outside of rural areas,” says Plaatjie. “Furthermore, I wanted to create a work that gives attention to a female voice that is not necessarily revolutionary, that of the student amidst the protest but not protesting.” she adds.
The cast for both productions is Beviol Swarts, Emmanuel Ntsamba, Livie Ncanywa, Luthando Mvandaba, Lwando Magwaca, Natasha Gana, Inge Isaacs and Zizipho Ouluba. Design is by Craig Leo and choreography for Kudu, by Jennie Reznek.
What: Kudu and 23 Years, A Month and 7 Days
Where, when: Baxter Theatre Flipside, 27 February -10 March 2018, 23 Years, A Month and 7 Days: 13 – 24 March 2018
Book: Webtickets on 086 111 0005
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